HOW TO MAKE A FILM ABOUT A SHELF

Alan Walsh from HelpFilm explains how any charity can become an expert in storytelling, no matter what their limitations. 

“We’d like to make a film about our charity” is something we hear at HelpFilm every week.’’ 

Just to clarify, HelpFilm are a charitable production company that makes films/animations for other charities. We pay for everything so, as you can imagine, demand is fairly high. When going through applications, we look for a variety of things - every charity is different, every topic has its own difficulties. One of the biggest is whether or not the charity’s good work is ‘visual’. This is key, video is a ‘show, don’t tell’ medium. If we can’t show the good work being done, it’s hard to make a video! 


Which brings me to one example in particular - Street Storage. They came to us about making a film, but there were some issues. Street Storage are a great charity that provide storage for people experiencing homelessness. You can put your documents/luggage for as long as needed. A wonderful idea. But, the conversation went something like this…


HelpFilm: “Ok, so what can we film?”

Street Storage: “Well, we have a storage facility in North London. It’s a room with racks of luggage”

HelpFilm: “That’s not very visual. We can speak to the people you’re helping, perhaps. That can be the hook”

Street Storage: “The people experiencing homeless don’t want to be on camera”

So how do you make a video about a room with some boxes in it? Well if you can’t speak to anyone and you can’t show anything then animation is pretty much your only option. We’ve used animation quite a bit in the past for charities that deal with vulnerable people that can’t be shown on camera. But, it takes a long time and it’s expensive (you’ll get 2, maybe even 3 films done for the price of 1 animation). Street Storage were delighted with the idea of an animation so we got scripting. 


Animations, if not done right, can be cold and we needed heart. We decided to focus on the emotional journey a person who is experiencing homelessness must go through. Street Storage had some great quotes on that so that became the backbone of the script - one person's journey to needing Street Storage. Now to find an animator. We lucked out here because I’d just been dealing with a brilliant London based animator called Joe Bichard from Oh Studios. He has a simplistic, yet distinct style that could really work. He came on board and immediately got the brief.


A film is only as good as the client lets them be. Without exception, the films that have worked best are when the charity we’re helping has an open mind. Rachel Woolf from Street Storage was fantastic throughout. She said what the important elements were and then let us build the animation round it. Her ideas were excellent and it was one of those dream production processes where there’s no awkward emails or phone conversations. 


As the animation was progressing we needed to find a voice. We sometimes use a wonderful celebrity booker called Paul Cullen to help us find celebrities that would be willing to help. Street Storage were clear they didn’t just want a celebrity voice for the sake of it. They wanted someone who had a link to their cause. Paul immediately mentioned Gail Porter. Gail is known to be very generous with her time and she had actually experienced homelessness herself. She was perfect, and she said yes! She came into the recording like a breath of fresh air and nailed the recording. Gails' delivery gave the animation style the heart and soul it needed.

So with the animation completed, we needed to get as many eyeballs on it as possible. Here our Comms manager Laura Balerdi worked with Street Storage on a strategy for social media. Key to this was Gail Porter retweeting it, which she kindly did. I didn’t need to be told, HelpFilms twitter feed starting lighting up. Then, the magic happened, Dara O’Briain retweeted it, then Caitlin Moran, Sara Cox, and Jay Raynar. In 3 hours we’d clocked up 35k views. The power of celebrity in full force. 

The launch had gone beyond expectations, Street Storage had a massive boost in exposure and they also had a beautiful animation on their website to explain the wonderful work that they do. 


As Rachel from Street Storage put it “Our strategy was to raise our public profile…The film has increased donations to our project and the video went semi-viral. It was retweeted by four celebrities with a combined following of 4m people and continues to build knowledge of who we are and what we do nationally.”

Therefore if thought about creatively, any charity, no matter what it is about can ‘show’ a powerful story. 

To view the animation click here

'Getting a head start'- 9 weeks with the charity RedStart

RedStart is a charity for primary-school children which delivers financial education through progressive learning. The aim of the charity is to provide financial education to transform the life chances of young people across the country. They do this in partnership with major financial institutions, local businesses and over 600 volunteers in five key locations across the UK. Sarah Marks, CEO of RedStart stressed the need for it to be colourful, energetic and fun so that it grabbed the children straightaway and ignited an interest and enthusiasm for the programme. Here is the final 1 minute animation!

‘Getting a headstart’ means starting early. Through seven years of primary school, they foster and track pupils’ development, running programmes and providing resources for teachers and parents. They teach children progressively, building on their previous years’ knowledge.

Early discussions centred around the idea of a video discussing the plans, schedule of the workshops, resources and quizzes. However it was felt that this was too detailed and unnecessary and would take too long in order to meet their deadline of 8 weeks time. Therefore we suggested a simple 1 minute animation that focused on the metaphor of the charity giving the children a ‘superpower’ in financial education/control. This animation would be shown in the assembly hall when the children were first introduced to the long term project.

Animation still from RedStart project.

Sarah Marks, CEO of RedStart stressed the need for it to be colourful, energetic and fun so that it grabbed the children straightaway and ignited an interest and enthusiasm for the programme.

We wasted no time at all in getting early art work sent over for the RedStart team to approve. Scripting was written and finalised in three days and the total project took 9 weeks in total- 1 week outside of our goal!

To see the final animation, go to https://helpfilm.org/previous-work

www.redstarteducate.org

Birchtree Cafe- Winner of the Silver People’s Choice Award.

T-21 stands for Trisomy 21, (meaning three copies of chromosome 21) the medical name for Down’s Syndrome.

T-21 was established to meet the needs of the adult members of the Peterborough Area Down’s Syndrome Group, which was founded in 1998. They recognised the challenges that young people face in finding their place in the world as they reach their teenage and early adult years. Like all young people, they need friendship and support, but also the opportunity to gain new skills and enjoy social interaction, both in the workplace and the wider community. This desire led to them opening the Birch Tree cafe in a disused school in Peterborough, staffed by young people with Down Syndrome. All the staff are being introduced to a range of skills, including cooking, gardening, cleaning, serving customers and financial management.


T21 wanted a film that showcased all the amazing work they are doing in the community at the Birch Tree cafe. Filmmaker Andrew Rutter did an amazing job of getting the most out of everyone on the day and it is a testimony to him that he captured this much of footage all in one day!

Here are a few of the film stills from the one day of filming. It was important for the charity to document the community atmosphere.

Film still from the T21 project- Image credit-Andrew Rutter

This project ended in an amazing way with a Silver People’s Award at the Charity Film Awards. A superb ending for a brilliant and well deserving charity!

To watch the winning film, see here: https://helpfilm.org/previous-work

www.t-21.co.uk/our-cafe/the-cafe

Independent Choices- ‘Behind Closed Doors’

A year ago we made a fantastic film for Independent Choices, coinciding with the launch of Greater Manchester Domestic Abuse Helpline,  called ‘Behind Closed Doors’. 

The film was screened at Manchester’s Curzon cinema, with a whole host of stakeholders in attendance, including Manchester’s Mayor, Donna Ludford. Feedback received from the event was overwhelmingly positive and we’re excited to get the film out and shared with as many people as possible.   

We loved working on this project because of it's creativity and originality and how it defines itself as being a very different project to our other HelpFilm productions. Because of the very clear script and message from the start of the project, a very different form of pre-production was needed. A location in Manchester was sourced and researched. The charity wanted a house that looked modern, stylish and of course affluent and middle class but also a home. They wanted to suggest the message that abuse can happen in any place, no matter how beautiful the appearance.

Actors Caroline Chesworth and Dave Howell.

We think actors Caroline Chesworth and Dave Howell did an amazing job at creating a convincing scenario and relationship of husband and wife. Special thanks to Director and Editor Matt Murdoch for putting this all together and also to the Independent Choices team, Hayley and Laura for writing the draft script and having such an amazing idea from the get go. Also thanks to David Ellison and Ricky McNally for the filming, Patrick Ruane for sound and re-recording mixer, and props and decoration to Chrissie Wright. Lastly, a thank you to our very own Alan Walsh and Laura Balerdi for co-producing the film.

Alan, Founder of HelpFilm with Mayor of Manchester.

Everyman Cinema where the film was launched.